![]() ![]() Fox,” and the continuity from that movie (and all of Anderson’s prior ones) to the new one is the proximate cause of this post. ![]() In short, it’s an emotional, sensual, and intellectual feast, one of the most extraordinary cinematic experiences since-well, since Wes Anderson’s last movie, “Fantastic Mr. It brings together many strands of cultural and personal memory, from the inside-the-tent view of boys being boys to the depiction of idiosyncratically smart and artistic kids feeling like outsiders at home to the red-coated narrator (Bob Balaban) who prophetically sets the story in the vast setting of geographical history. It’s great news that critics and viewers are responding, with enthusiasm and ticket purchases, respectively, to “Moonrise Kingdom.” It deserves both the acclaim and the popularity for all its high style and exquisite artifice, it’s a tenderly romantic, warmly funny, and robustly physical story of young love and the lessons it holds for older lovers. Photograph by Niko Tavernise/Focus Features/Everett Collection ![]()
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